FAQ

  • What is your editing experience?

    I’ve served as the communications director for a large nonprofit organization for nearly two decades. In that role, I’ve had to excel in professional writing and editing. I’ve also completed the University of Chicago’s rigorous editing certificate program, which means I am proficient in the Chicago Manual of Style (CMOS), the industry standard in book publishing. I’ve recently self-published my first novel, which has received early praise and starred reviews.

  • Can you show me some bestsellers you've worked on?

    It’s a common misconception that editors can magically turn a manuscript into a bestseller. In truth, many factors affect a book's success, most outside the author’s and editor’s control. A good editor gives honest feedback, practical advice, and helps help you achieve the best possible version of your unique manuscript. Anyone claiming otherwise is selling you b.s.

  • What does editing cost?

    It depends. There are different kinds and levels of editing. A manuscript review helps estimate the editing cost. I use Editorial Freelancers Association rates and share a clear rate chart. I also offer packages and discounts for newsletter subscribers.

  • Do you work with sensitivity readers?

    No. You’re the artist who has worked hard to create your vision. Letting outside activists control your work breaks the idea of artistic freedom and gives them power to block it. If you care more about activists’ opinions than defending your right to make art, I’m not the right editor for you.

  • Do you edit according to the "Conscious Style Guide"?

    Absolutely not. Nothing is more Orwellian than writing a guide full of Newspeak and saying “good” writers and editors must use these approved, euphemistic words instead of normal language. That book epitomizes everything wrong with publishing today, and I will never follow its rules or impose its ideology on my clients.

  • Why do you do this?

    I understand how tough it is for indie writers to find a quality editor who gets the struggles of working alone and on a tight budget. I have a day job, so I’m not in this for money, but I know indie authors need affordable, honest editing options. Many so-called editors don’t know what they’re doing, or won’t work on books that offend their delicate sensibilities, leaving authors stuck. I’m here to change that.